Instead of offering you a wide range of optional camera angles, this game uses one preset "over-the-shoulder" angle for movement and then automatically lurks closer when you're performing automated tasks - such as working or resting. Meanwhile, the camera constantly follows in the most appropriate way possible.
To return to your feet you simply press any direction again, and can then carry on strolling around the scene. Most locations have interactive areas - such as chairs and beds - that can be accessed by repeatedly walking against them (much like the doors). It makes the fighting a little stiffer than wrestling fans may be accustomed to, but exploration becomes more important in a concept like this. Like most third-person adventures, this game uses a "turn & advance" movement system to allow you to face any direction and approach any part of the scene with pinpoint accuracy (as in Wrecked). The sentences they give you are utterly absurd. All of which fuse together to produce the biggest, deepest, and most visually appealing project yet. What ensues is an amalgamation of practically every game I've ever made! The survival concept of Wrecked returns to form the backbone, the fighting gameplay and improved visuals of World War Alpha put meat on the bones, and the deal is sealed with the RPG-style character building and conversation-driven storylines of the sports games. The game plunges your customized character into this world and challenges you to guide him through to his release. Its inhabitants are locked up for a matter of months rather than years, but rehabilitation comes thick and fast courtesy of a strict (and violent) regime. As you may have gathered, this game takes place in the confines of a prison - but it's no ordinary prison! Southtown Correctional Facility is an experimental jail that specializes in short doses of "hard" time.
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